Starting All Over: Spiders, Webs, and a New Year

Here we are ready to start again. A new day, a new calendar, a new year. A few months from now we will have forgotten how fresh our world seems today, but for right now all is well.

One of my friends sends out a poem every Monday. I particularly like the one she sent this past Monday, January 1, 2017.

New Year’s by Dana Gioia

Let other mornings honor the miraculous.
Eternity has festivals enough.
This is the feast of our mortality. . . .

The new year always brings us what we want
Simply by bringing us along—to see
A calendar with every day uncrossed,
A field of snow without a single footprint.

As the new year begins, we see “a calendar with every day uncrossed/ A field of snow without a single footprint.”

My January calendar already has a few prospective footprints. In a few days, my friend Mary and I will head to Key West for the much-anticipated writer’s workshops, sponsored by the Key West Literary Seminar.  Mary will be working with the poet, Rowan Ricardo Phillips; and I, with Dani Shapiro, who has written novels and several memoirs. I’m hoping to take a few small steps toward the completion of a collection of short prose pieces I’ve written over the years.

Key West Schooner

While we will be going to Key West for the workshops, we will also stroll along Duval Street, eat fresh fish in our favorite restaurants, enjoy the people we always meet at the Key West Bed and Breakfast, watch spectacular sunsets, sail on a schooner, and maybe even leave a few footprints in the sand. Going to Key West is truly “a feast of our mortality”–a carpe-diem sort of place.

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On another carpe diem note, I’ve resolved not to watch (and read) so much news this year. Alain de Botton concludes his 2014 book, The News: A User’s Manual (a serendipitous find yesterday at the Sanibel Library book sale) with these words:

We should at times forgo our own news in order to pick up on the far stranger, more wondrous headlines of those less eloquent species that surround us: kestrels and snow geese, spider beetles and black-faced leafhoppers, lemurs and small children–all creatures usefully uninterested in our own melodramas, counterweights to our anxieties and self-absorption.

Our Spider: Crab-Like Spiny Orb Weaver (Wikipedia)

His words make me think of the spider I have been watching build her sturdy web across the corner of our deck here on Sanibel. The web is an engineering marvel spanning a five-foot corner. It has withstood rain, wind, and my sometimes awkward maneuvers to water the plant that anchors one of her filaments. I accidentally knocked it down a couple of weeks ago, but the next day she started all over–swinging on her almost invisible silk threads, like a tiny, skirted acrobat in mid-air.

 

And there are our five grandchildren: each one a delight–any day spent with one of them is the best day ever. They help me see an ordinary spider web and lots of other small (and large) wonders I might not notice. With them I also do things I wouldn’t ordinarily do, like trying to fly a kite with Lucia in Dalkey, Ireland, on a cold, not-so-windy December day.

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On Writing:  Here’s hoping that you will find new life and happiness in the words you spin in the coming year. You never know what you might catch. An idea you didn’t know you had? A moment easily forgotten?  A story to hold onto? A sense of your own self?  Maybe we can forget the news for a little while each day and settle into a chair with a notebook and a good book. Or take a walk in a park. Or by the beach. Or watch a spider. Or talk with a child. And then come back and write about it.

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“Do you understand how there could be any writing in a spider’s web?”
“Oh, no,” said Dr. Dorian. “I don’t understand it. But for that matter I don’t understand how a spider learned to spin a web in the first place. When the words appeared, everyone said they were a miracle. But nobody pointed out that the web itself is a miracle.”
“What’s miraculous about a spider’s web?” said Mrs. Arable. “I don’t see why you say a web is a miracle-it’s just a web.”
“Ever try to spin one?” asked Dr. Dorian.”
E.B. White, Charlotte’s Web

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A Hand Drawing a Hand: Writing about Writing

Today I decided to re-start my writing life. I told my friend, Mary, that I was going to commit to writing three hours a day for at least three days a week. “I’m going to get up early—6:00 am—and write.”

Yesterday I procrastinated all day and had the kitchen spotless. Then I removed a two-year-old coffee stain on the white shag rug under my writing chair. I also removed a macaroon that was stuck on the bottom of my sandals from the trip to Paris. Hmmm, I thought, you were a Paris macaroon, and now you are cement on the bottom of my shoe.

The whole day went by, and finally around 3:00 p.m. I made it up to my office, a place I had not visited all summer.

There on my desk were several piles of writing projects: poems, short stories, my collection of family stories and personal essays. So this is my problem, I thought, I try to work in too many genres. I even had a new novel percolating in the back of my head.

Writing Project Piles

Writing Project Piles

What about that other novel? I said to myself. The one you started years ago.

Well, maybe, I can fuse my idea for the new novel into the old one, I thought. So there emerged another writing problem: I’m always trying to figure out a way to work the old stuff into the new stuff.

Take the essays, for example. Years ago, I wrote a piece entitled “Long Distance to North Carolina.” I keep thinking that story, which could be considered a fusion of fiction and nonfiction, needed to make it into the world. So I revised it and used it as the title piece in a collection of nonfiction pieces that I worked on last summer.

When I presented this collection in the Madeline Island workshop Mary and I attended, the writer leading the group raised some good questions. “You need to know who your audience is,” she said. “If you’re writing these for family and friends—they will be interested in your work regardless, and you needn’t work so hard to gain their attention.”

That stopped me right there. Although I’d like my family and friends to be interested in my writing, they don’t seem to care all that much. Except, of course, Mary—who is a writer herself. I’m not blaming them. Mostly my family is busy living their own lives. And my friends? When we get together, it’s to enjoy each other’s company. My writing seems like a minor topic.

“If you’re hoping for a wider audience,” the workshop writer told me, “your work in revision will be bridging these personal narratives to universal truths or questions.”  True, who wouldn’t want a larger audience? Yet since I have neither an agent nor a publisher waiting in the wings, I see my larger audience as a misty cloud in some distant future.

Mary and I spent the rest of our spare time at the workshop laughing and trying to find our “universal truths.” I don’t mean to make light of this. I know exactly what the writer meant. I enjoyed writing those pieces; they meant something to me. But would anyone else care about them?

The workshop leader also questioned the fact that my writing is often also about writing. Just as I’m doing in this piece (the one you are reading), I write about writing in several of the pieces within that collection. “There’s little in your (sweet) moments writing with friends that hooks me,” she commented.

So here I am still sitting at my desk. Well, at least I’m at my desk. I’m writing about writing. It is like that Escher drawing of the artist’s hand drawing the artist’s hand. Is this a closed loop that no one else can enter? I don’t know, but it seems the best I can do today.

M. C. Escher, January 1948

M. C. Escher, January 1948

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Writing Talk: How is your writing life today? I call this blog “The Joy of Writing.” So why does writing seem not so joyful at times? Why do we avoid it? Where does the joy come from?

My mother was an artist. She seemed happy with the small pond of other artists in her community, with entering her work in local exhibitions, with taking part in art fairs. Is this where we writers can find our joy too?  Onward!

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Ray Bradbury, on curiosity and stimulating work, in his fantastic 2001 speech at The Sixth Annual Writer’s Symposium by the Sea:

I want your loves to be multiple. I don’t want you to be a snob about anything. Anything you love, you do it. It’s got to be with a great sense of fun. Writing is not a serious business. It’s a joy and a celebration. You should be having fun with it. Ignore the authors who say ‘Oh, my God, what word? Oh, Jesus Christ…,’ you know. Now, to hell with that. It’s not work. If it’s work, stop and do something else.  (I’ve checked this quote several times. I’m not sure if Bradbury said “word” or “work” in the quote, but both work!  -V.)