End-of-Year Reading Blitz

One of the pleasures of returning to Sanibel, Florida, where we spend the winters, is visiting the library here and coming home with a huge stack of books to read in the warm days ahead. I’ve given up trying to play golf and tennis. I’ve taken up yoga and walking–and now spend many afternoons and evenings in my chair by the window, reading with my iPhone tuned into Minnesota Public Radio’s classical station. “A winter storm is brewing,” says the Minneapolis announcer. “Expect ten to twelve inches of snow.” It’s almost as if I can be in two places at once: here in sunny Florida and back in snowy Minnesota at the same time.

The books stacked by my chair take me to more than these two places that my physical body now calls home–I should say three, since North Carolina will always be my first home. Right now I’m dipping into books by some of the writers who will be speaking at the 2016 Key West Literary Seminar. These books have taken me from NYC to China and from to Kiev to Montana and Mississippi.

KWLS '16 Writers

KWLS ’16 Writers

In a couple of weeks, my friend Mary and I will make our annual January  pilgrimage to Key West for a delightful feast of literary pleasures. The focus this year is “Short Shorts.” I’ve been reading Thomas McGuane (Crow Fair: Stories), Hilton Als (White Girls), Molly Antopol (The UnAmericans),  Brad Watson (Aliens in the Prime of Their Life) and browsing through books by Daniel Menaker (My Mistake) and Karen Russell (Vampires in the Lemon Grove). So I’m anxious to hear these writers and many others in person, particularly HIlton Als and Gish Jen (Tiger Writing), two of the most thought-provoking writers among those attending.

Yet there is one writer who won’t be in Key West. Her latest book was on the new books shelf of the Sanibel Library, and it is the one I’ve been enjoying the most over the past several weeks:  Shirley Jackson’s Let Me Tell You: New Stories, Essays, and Other Writings.  Shirley Jackson, author of one of the most famous short stories ever, “The Lottery” (1948), was born in 1916, the same year as my mother, so Jackson will be celebrating her 100th birthday this coming year had she not died an early death of heart failure on August 8, 1965, at age 49.

Luckily, besides the many books she published in her short lifetime, she left behind a rich trove of unpublished writings. The new selections in Let Me Tell You (2015) were collected by two of her children, Laurence Jackson Hyman and Sarah Hyman DeWitt, and bring to readers more of the material found in her archives. Some are serious pieces; some light; some reflect on her life as a writer; many are about her family and children; some are lectures she gave on the craft of writing. In most of the pieces, you can see Jackson’s wicked sense of humor and her interest in the weird, uncanny, mythic elements of life.

One lecture, “How I Write,” contains a single paragraph that sets up how her story, “The Lottery,” came into her head. She writes: “I remember one spring morning I was on my way to the store, pushing my daughter in her stroller, and on my way down the hill I was IMG_9762thinking about my neighbors, the way everyone in a small town does. The night before, I had been reading a book about choosing a victim for a sacrifice, and I was wondering who in our town would be a good choice for such a thing.”

Thus began the kernel for a story that has been read by thousands. Shirley Jackson was simply pushing her daughter in a stroller and thinking about her neighbors and a book she read. She ends this paragraph saying how the story came to be published in The New Yorker and how she received many letters asking how could she ever “think of such a terrible thing.” She says that she was “just thinking about my neighbors, but no one would believe me. Incidentally no one in our small town has ever heard of The New Yorker, much less read my story.”

The importance of this “birth of a story” teaches me a good bit about the writing process:

  • Even when I’m not writing, I’m writing.
  • A flash of inspiration may come in idle moments when I put together two (or more) seemingly unrelated events.
  • So as not to disturb that jolt of inspiration, I can’t worry about where the story/poem/essay/journal entry will end up or how others will react.

Jackson was not thinking about publishing or whether her new story would be good or not. Nor was she concerned about future reactions to her story.

She couldn’t wait to get home to write it.

So enough of this sitting in my chair, reading. I need to put down this book and walk the dog around the neighborhood or clean the kitchen or get cracking on tomorrow night’s dinner party, while letting those writing ideas bang around in my head. Then back to my desk with pen and notebooks!

(P. S. I forgot to mention another great book I recently read and loved:  Euphoria by Lily King. But my favorite book of 2015 was Oliver Sacks’s autobiography, On the Move: A Life.) 

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Writing Idea 

Try taking an ordinary event from your day and kicking it up a notch or two by combining it with something else you’ve observed or you’ve been thinking or reading about.

For example:

In “Here I Am, Washing Dishes Again,” Shirley Jackson tells about how she imagines the lives of the glasses, forks, dish towels, steel wool, floor, curtains, as she cleans the kitchen. She sees the jealousy between her two forks: one with four prongs and one with two.  “My two forks are insanely jealous of each other, and I find that I must take a path of great caution with them. . . .I try to keep them out of their quarrels…but I am always fumbling the delicate balance of power that is all that keeps them from each other’s throats.” She lets her imagination go with this idea, and the short piece lifts off and comes to a revealing ending when she sees herself being flattened and drawn to the magnet that holds the knives in place.

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“One of the nicest things about being a writer is that nothing ever gets wasted. It’s a little like the frugal housewife who carefully tucks away all the odds and ends of string beans and cold bacon and serves them up magnificently in a fancy casserole dish.”
–Shirley Jackson, “How I Write” (from Let Me Tell You)

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Happy holidays to all you writers and readers out there! Here’s to a wonderful, productive 2016!  Stay well.  

The Parakeet Craze

Not long ago, my brother, Glenn, and I got to talking about parakeets and that time in the fifties when everyone had a parakeet. It was the rage.Unknown

Our Aunt Clarissa and Uncle Stamper had a blue one named Snookie. Since they never had children, they treated Snookie like their child. His home was an elaborate cage full of mirrors and every parakeet toy imaginable: little seesaws and bells and plastic balls to push around. He could whistle and say a few words like “Pretty Boy” and “Hello.”  Aunt Clarissa would let him sit on her head and preen her hair or on her shoulder where she would turn her head and allow him to kiss her, which all seems a little disgusting now that parakeets aren’t so much the rage.  But it was awful when he died, and they were not able to have another parakeet after Snookie.free vintage printable_parakeets and children

After I begged for weeks, my mother let me pick out a parakeet at the dime store. I  chose a green one and named him Petie, but he was not half as smart as Snookie.  His only claim to fame was his demonstrative shows of affection for his reflection in the mirror that charmed him and his ability to make an incredible mess in the bottom of his cage.

My brother remembered that back during the parakeet rage, our Uncle Hughie heard that parakeets would be a good business venture, so he decided to raise them. He had a little house full of parakeets who laid tiny eggs in nests. I don’t remember how well Uncle Hughie did at the business, but I never saw any baby birds in the nests.Unknown-1

Glenn told about how every now and then someone’s parakeet in our neighborhood would escape, and you’d see that person standing under a telephone line with the cage and the door open. There, balanced on the wire, would be a row of sparrows; and right in the middle, a bright green parakeet. The owner stood down below pointing to the open door of the wire cage, saying: “Here pretty boy, here, pretty boy.” He was attempting to lure the bird with a tantalizing cuttlebone. The bird, on the other hand, seemed happy enough trying to blend in with the sparrows.

I don’t know what happened to the parakeet craze, but I do remember our son, Mike, asking for a bird for Christmas when he was in the second grade. That was all he wanted. So we got him a parakeet. The birds must have evolved, or de-volved, from the time of the Snookies, or maybe we owners just weren’t willing to work with them the way Aunt Clarissa did. Our bird, Barney, was a mess. He never could get used to being out of his cage, so we could tame him. He would fly in big arching circles all over the house, and then cling, in desperation, to a curtain while our dog Max looked up at him hungrily.

Barney did have one major talent. He couldn’t seem to die. He lived on and on until we finally gave him to our daughter, who was living in an apartment. One day she came home to find him on the bottom of the cage, his two little feet sticking up into the air.

And that was the end of the parakeet craze, at least for us.

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Writing Jumpstart: Think about some “craze” that has come and gone, at least for you. See how many stories you can string together. Go for ten minutes. Then another ten minutes until you have at least three stories to tell.